1st position Eminor Pentatonic Scale Meets Minor Modes

First, the most common Eminor Pentatonic Scale:
	12th fret			15th fret
Thinnest string	E			G
	B			D
	G		A
	D		E
	A		B
Thickest string	E			G
This scale can be the backbone of the Dorian, Phygian, and Aeolian scales.
Dorian is probably the most important to jazz, especially given the commonality of ii V chord progression.
Here is its overlay of the Dorian pattern (Emin in red, Dorian in red and black):
	12th fret			15th fret
Thinnest string	E		F#	G
	B		C#	D
	G		A
	D		E		F#
	A		B		C#
Thickest string	E		F#	G
This scale can be hard to finger due to the 2 whole step stretch on the A string and the D string,
so I don't recommend it if there is any pain.
Here is its overlay of the Phrygian pattern (Emin in blue, Phrygian in blue and black):
	12th fret			15th
Thinnest string	E	F		G
	B	C		D
	G		A
	D		E
	A		B	C
Thickest string	E	F		G
Here is its overlay of the Aeolian pattern (Emin in purple, Aeolian in purple and black):
	12th fret			15th fret
Thinnest string	E		F#	G
	B	C		D
	G		A
	D		E		F#
	A		B	C
Thickest string	E		F#	G
So, now you might wonder which mode to use in a song when soloing, and that is the mode described
by the chords, melody, and/or harmony.
By using the term minor, I mean scales that have a minor 3rd interval, but are not diminished.
A diminished scale has a minor 3rd interval and a minor 5th interval.