Patterns Within Patterns 1: Pentatonic Minor inside a Phrygian Pattern

	Open	7th Fret	8th Fret	9th Fret	10th Fret
Thickest String	E	3	4		5
	A	6		7	1
	D	2		3	4
	G	5		6
	B	7	1		2
Thinnest String	E	3	4		5
This Modal Scale is ideal because it is as the sweet spot of quality guitars.
	Open	7th Fret	8th Fret	9th Fret	10th Fret
Thinnest String	E	3	4		5
	B	7	1		2
	G	5		6
	D	2		3	4
	A	6		7	1
Thickest String	E	3	4		5
Minor Pentatonic Is a Pattern that often sounds great if it is mixed within the Phrygian mode.
This is the minor pentatonic scale pattern.
Thickest String	E	3			5
	A	6		7
	D	2		3
	G	5		6
	B	7			2
Thinnest String	E	3			5
This Larger Pattern Modal Scale which is ideal because it is as the sweet spot of quality guitars.
	Open	7th Fret	8th Fret	9th Fret	10th Fret
Thinnest String	E	3			5
	B	7			2
	G	5		6
	D	2		3
	A	6		7
Thickest String	E	3			5
See how these patters merge?
Because they fit, it is such that they can easily be used together, especially in improved solos.
	Open	7th Fret	8th Fret	9th Fret	10th Fret
Thickest String	E	3	4		5
	A	6		7	1
	D	2		3	4
	G	5		6
	B	7	1		2
Thinnest String	E	3	4		5
	Open	7th Fret	8th Fret	9th Fret	10th Fret
Thinnest String	E	3	4		5
	B	7	1		2
	G	5		6
	D	2		3	4
	A	6		7	1
Thickest String	E	3	4		5
Notes in red are common to both scales, making them especially good choices for soloing.