| Tips: | |||||
If the string to sting movement is to difficult, then start by counting 4s alternating only on the 6th string.
| |||||
As you get better, transition between the patterns moving up or down the licks up and down fret board.
| |||||
Use a metronome and start slow: https://youtu.be/5aGo24oKGjE
| |||||
Pattern [repeat]: G E D E
| |||||
| Root: G | |||||
Scale: Pentatonic Emin
| |||||
Pick pattern: down, up, up, down
| |||||
Finger pattern: Ring, index, ring, index
| |||||
| 12th fret | 15th fret | ||||
| string 6 thinnest | E | G | |||
| string 5 | D | ||||
| 4 | |||||
| 3 | |||||
| 2 | |||||
| string 1 thickest | |||||
Pattern [repeat]: A G E G
| |||||
| Root: A | |||||
Scale: Pentatonic Emin
| |||||
Pick pattern: down, up, up, down
| |||||
Finger pattern: Middle, index, middle, index
| |||||
| 15th fret | 17th fret | ||||
| string 6 thinnest | G | A | |||
| string 5 | E | ||||
| 4 | |||||
| 3 | |||||
| 2 | |||||
| string 1 thickest | |||||
Pattern [repeat]: B A G A
| |||||
| Root: B | |||||
Scale: Pentatonic Emin
| |||||
Pick pattern: down, up, up, down
| |||||
Finger pattern: Middle, index, middle, index
| |||||
| 17th fret | 19th fret | 20th fret | |||
| string 6 thinnest | A | B | |||
| string 5 | G | ||||
| 4 | |||||
| 3 | |||||
| 2 | |||||
| string 1 thickest | |||||
Pattern [repeat]: E D B D
| |||||
| Root: E | |||||
Scale: Pentatonic Emin
| |||||
Pick pattern: down, up, up, down
| |||||
Finger pattern: Ring, index, ring, index
| |||||
| 10th fret | 12th fret | ||||
| string 6 thinnest | D | E | |||
| string 5 | B | ||||
| 4 | |||||
| 3 | |||||
| 2 | |||||
| string 1 thickest | |||||
Pattern [repeat]: D B A B
| |||||
| Root: D | |||||
Scale: Pentatonic Emin
| |||||
Pick pattern: down, up, up, down
| |||||
Finger pattern: Pinky, index, pinky, index
| |||||
| 7th fret | 10th fret | ||||
| string 6 thinnest | B | D | |||
| string 5 | A | ||||
| 4 | |||||
| 3 | |||||
| 2 | |||||
| string 1 thickest | |||||
Pattern [repeat]: B A G A
| |||||
| Root: B | |||||
Scale: Pentatonic Emin
| |||||
Pick pattern: down, up, up, down
| |||||
Finger pattern: Ring, index, pinky, index
| |||||
| 5th fret | 7th fret | 8th fret | |||
| string 6 thinnest | A | B | |||
| string 5 | G | ||||
| 4 | |||||
| 3 | |||||
| 2 | |||||
| string 1 thickest | |||||
| Pattern [repeat]: | A G E G | ||||
| Root: A | |||||
Scale: Pentatonic Emin
| |||||
Pick pattern: down, up, up, down
| |||||
Finger pattern: Ring, index, ring, index
| |||||
| 3rd | 5th | ||||
| string 6 thinnest | G | A | |||
| string 5 | E | ||||
| 4 | |||||
| 3 | |||||
| 2 | |||||
| string 1 thickest | |||||
chords theory soloing improvisation guitar lessons music teacher instructions handouts charts students free Pandora internet radio stations listening
Wednesday, March 25, 2020
Tuesday, July 16, 2019
Patterns Within Patterns 1: Pentatonic Minor inside a Phrygian Pattern
| Open | 7th Fret | 8th Fret | 9th Fret | 10th Fret | |
| Thickest String | E | 3 | 4 | 5 | |
| A | 6 | 7 | 1 | ||
| D | 2 | 3 | 4 | ||
| G | 5 | 6 | |||
| B | 7 | 1 | 2 | ||
| Thinnest String | E | 3 | 4 | 5 | |
This Modal Scale is ideal because it is as the sweet spot of quality guitars.
| |||||
| Open | 7th Fret | 8th Fret | 9th Fret | 10th Fret | |
| Thinnest String | E | 3 | 4 | 5 | |
| B | 7 | 1 | 2 | ||
| G | 5 | 6 | |||
| D | 2 | 3 | 4 | ||
| A | 6 | 7 | 1 | ||
| Thickest String | E | 3 | 4 | 5 | |
Minor Pentatonic Is a Pattern that often sounds great if it is mixed within the Phrygian mode.
| |||||
This is the minor pentatonic scale pattern.
| |||||
| Thickest String | E | 3 | 5 | ||
| A | 6 | 7 | |||
| D | 2 | 3 | |||
| G | 5 | 6 | |||
| B | 7 | 2 | |||
| Thinnest String | E | 3 | 5 | ||
This Larger Pattern Modal Scale which is ideal because it is as the sweet spot of quality guitars.
| |||||
| Open | 7th Fret | 8th Fret | 9th Fret | 10th Fret | |
| Thinnest String | E | 3 | 5 | ||
| B | 7 | 2 | |||
| G | 5 | 6 | |||
| D | 2 | 3 | |||
| A | 6 | 7 | |||
| Thickest String | E | 3 | 5 | ||
See how these patters merge?
| |||||
Because they fit, it is such that they can easily be used together, especially in improved solos.
| |||||
| Open | 7th Fret | 8th Fret | 9th Fret | 10th Fret | |
| Thickest String | E | 3 | 4 | 5 | |
| A | 6 | 7 | 1 | ||
| D | 2 | 3 | 4 | ||
| G | 5 | 6 | |||
| B | 7 | 1 | 2 | ||
| Thinnest String | E | 3 | 4 | 5 | |
| Open | 7th Fret | 8th Fret | 9th Fret | 10th Fret | |
| Thinnest String | E | 3 | 4 | 5 | |
| B | 7 | 1 | 2 | ||
| G | 5 | 6 | |||
| D | 2 | 3 | 4 | ||
| A | 6 | 7 | 1 | ||
| Thickest String | E | 3 | 4 | 5 | |
Notes in red are common to both scales, making them especially good choices for soloing.
| |||||
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