Dyads I: Great for Incorporating into Chord Solos

In all charts 1 is Ionian/Cmaj
Dyads
	Open	7th Fret	8th Fret	9th Fret	10th Fret	11th Fret	12th Fret
Thickest String	E
	A
	D
	G
	B		1		2		3
Thinnest String	E	3	4		5		6
Red is Major
Blue is Minor
Dyads
	Open	7th Fret	8th Fret	9th Fret	10th Fret	11th Fret	12th Fret
Thinnest String	E	3	4		5		6
	B		1		2		3
	G
	D
	A
Thickest String	E
Red is Major
Blue is Minor
Dyad 5ths I
	Open	7th Fret	8th Fret	9th Fret	10th Fret	11th Fret	12th Fret
Thickest String	E
	A
	D
	G
	B		1		2		3
Thinnest String	E	3	4		5		6
5ths in Purple or Aqua
	Open	7th Fret	8th Fret	9th Fret	10th Fret	11th Fret	12th Fret
Thinnest String	E	3	4		5		6
	B		1		2		3
	G
	D
	A
Thickest String	E
5ths in Purple or Aqua
Dyad 5ths II
	Open	7th Fret	8th Fret	9th Fret	10th Fret	11th Fret	12th Fret
Thickest String	E
	A
	D
	G
	B		1		2		3
Thinnest String	E	3	4		5		6
5th Dyads organized by color
	Open	7th Fret	8th Fret	9th Fret	10th Fret	11th Fret	12th Fret
Thinnest String	E		4		5		6
	B	3	1		2		3
	G
	D
	A
Thickest String	E
5ths organized by color
This Larger Pattern Modal Scale which is ideal because it is as the sweet spot of quality guitars.
	Open	7th Fret	8th Fret	9th Fret	10th Fret	11th Fret	12th Fret
Thickest String	E	3	4		5
	A	6		7	1
	D	2		3	4
	G	5		6
	B	7	1		2		3
Thinnest String	E	3	4		5		6
This Larger Pattern Modal Scale which is ideal because it is as the sweet spot of quality guitars.
	Open	7th Fret	8th Fret	9th Fret	10th Fret	11th Fret	12th Fret
Thinnest String	E	3	4		5		6
	B	7	1		2		3
	G	5		6
	D	2		3	4
	A	6		7	1
Thickest String	E	3	4		5

Patterns Within Patterns 2: Where Dorian Pentatonic and Phrygian Pentatonic Meet

For an addition, I plan to post the patterns from the thinnest string first. Most guitarists consider these scales as upside down.

Dorian Pentatonic in Emin
	Open	5th Fret	6th Fret	7th Fret	8th Fret	9th Fret	10th Fret
Fattest String	E	A root			2
2	A	3		4
3	D	5		1
4	A	2		3
5	B	4			5
Thinnest String	E	1			2
Phyrgian Pentatonic - Same pattern of the Eminor Scale, but a full step higher than Dorian Pentatonic
	Open	5th Fret	6th Fret	7th Fret	8th Fret	9th Fret	10th Fret
Fattest String	E			B root			2
2	A			3		4
3	D			5		1
4	A			2		3
5	B			4			5
Thinnest String	E			1			2
Together: 2 Pentatonic Shapes with Common Notes
	Open	5th Fret	6th Fret	7th Fret	8th Fret	9th Fret	10th Fret
Fattest String	E	A		B	C		D
2	A	D		E		F
3	D	G		A		B
4	A	C		D		E
5	B	D		E	F		G
Thinnest String	E	A		B	C		D
The Cool Part
5	B	D root		E	F		G
Thinnest String	E	A		B	C		D

The best way to go about learning these patterns is always:

Listen to a lot of music.

Practice the Dorian or Phygian Pentatonic scales a lot, and especially how they sound.

The idea is if you listen and play you will learn a mathematical language that you can sing through with your guitar.

These patterns go well with all kinds of music, but are more prevalent in blues style music.

Play music and see if you can solo along. These are common notes for making zillions of songs.

Don't worry if it doesn't sound good to you first, just keep practicing, but stop if it hurts. 

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